The best recent crime and thrillers – review roundup
https://www.theguardian.com/books/2026/apr/17/the-best-recent-and-thrillers-review-roundup
The Keeper by Tana French; The Kindness of Strangers by Emma Garman; Mrs Shim Is a Killer by Kang Jiyoung; A Killer in the Family by Amin Ahmad; The Drowning Place by Sarah Hilary
The Keeper by Tana French (Viking, £16.99)
The final book in French’s Cal Hooper trilogy sees the retired Chicago detective drawn into a power struggle for the future of the small Irish town he has made his home. Ardnakelty is a place where everyone is interconnected, with grudges and loyalties lasting for generations, and Hooper, now engaged to local widow Lena and mentor to 16-year-old Trey, is becoming a part of its fabric. When the body of Rachel Holohan, girlfriend of the son of local bigshot Tommy Moynihan, is recovered from the river, the consensus is suicide, but Trey convinces Hooper to investigate. Tommy doesn’t like people interfering in his business, especially when it emerges that Rachel was concerned about his plans for the town. An immersive, slow-burn of a book, as much about the march of time and the inevitably changing nature of Irish rural life as it is about solving a crime, The Keeper is dense, compelling and superbly atmospheric.
The Kindness of Strangers by Emma Garman (Virago, £20)
Set in a Chelsea boarding house in 1953, Garman’s debut novel opens with Jimmy Sullivan – who “wore spiv’s shoes and spoke in unmistakable Cockney tones” – bleeding to death under the dispassionate gaze of the landlady and her lodgers. The big Victorian house, presided over by bohemian literary widow Honor Wilson, is home to a debutante fallen on hard times, a wannabe writer, a young cinema usher with social aspirations, and a Jewish poet who managed to escape Hitler but lost his wife and child in the process. All have secrets, but none more than Honor herself, and the arrival of Jimmy, who claims to be the son of an old family retainer, threatens them all. This is not only an excellent mystery, but an evocative portrayal of a group of people displaced socially and geographically by war and its aftermath, with the moral and topographical landscape of 1950s London superbly rendered.
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